I
thought things couldn't get worse. How foolish.
Leonard
Cohen was my songwriting idol. A mentor, dark but right, funny but sad. He was
the most respected, the best, the elder. Most songwriters reject the idea that
they are poets. John Prine said recently, "If I wanted to be a poet, I'd
write poems." But Leonard Cohen was a poet. Besides his poems, his songs
are worth reading, not just hearing. In fact, he liked them naked, all that dressing
up that other musicians use to hide their weaknesses, not necessary,
distracting. I liked his songs naked too.
Everybody knows that the dice
are loaded
Everybody rolls with their
fingers crossed
Everybody knows that the war is
over
Everybody knows the good guys
lost
Everybody knows the fight was
fixed
The poor stay poor, the rich get
rich
That's how it goes
Everybody knows
Cohen
worked really hard on his songs. Not a slam-bam improvised look-at-me artist
type. A careful craftsman and a Zen master. I read about one that he wouldn't
record because one verse wasn't exactly right. He'd lived with this masterpiece
for 18 years. I read the text, and the verse was fine, and the song was great.
But, yes, something wasn't perfect about that one verse.
I said to Hank Williams: how
lonely does it get?
Hank Williams hasn't answered
yet
But I hear him coughing all
night long
A hundred floors above me
In the Tower of Song
Leonard
Cohen died at the wrong time. We're distracted right now. But a hundred years on
people will still be singing his profound, intelligent, beautiful lyrics, while the Donald's
name will be a mere synonym for the mortification of the soul.
I did my best, it wasn't much
I couldn't feel, so I tried to
touch
I've told the truth, I didn't
come to fool you
And even though it all went
wrong
I'll stand before the Lord of
Song
With nothing on my tongue but
Hallelujah ...
Thank
you, Leonard.
Martin